In this series that I have been developing - Anaphors (repetition of words) - the "attack on the canvas" is always gestural, with rapid and repeated movements, scratching and brushing the empty canvas, creating lines as if it were a music sheet, nature music. The brush wanders leaving paint marks on the canvas, points, lines, and stains that together create images, images that report me to pure nature, without the destructive action of man. In the end, the work will have to stand on its own, the observer will not have to resort to enigmatic or explanatory texts; one must enter, observe, which is its role. Through his life experiences, he gives the meaning and the value he wants, he must have this freedom, as if a bird were treated, up there, in his inner peace, in his silence, watching nature communing with all its splendour. My influences have always been of painters linked to the act of doing, to action. That goes from Goya to Cai Guo-Qiang.