The fluctuations, both in the use of different materials and at the formal level, serve to create visual rhythms and various retinal intensities that can lead to a form of saturation.
And so I wish to operate a circulation rather than a permanent resolution of meaning.
Ceramics appeared more recently and this practice allows me to give substance to this personal organic bestiary.
My work is the fruit of a utopia, of an escape into a dream world. Like any utopia, it collides with its contradictions and carries with it the seeds of its failure: between enchantment and disenchantment.