Liliana Velho, an artist who privileges ceramics, carrying out, above all, installations of objects in small polyptychs, in the yielding to the measures of the kilns regularly available. The installation “Coração em contramão” (heart in the wrong way), complements itself in the irony of “Receita para desamar” (recipe to unlove), with a message that summons up the imminent feminine feelings. Audiences are challenged to take and leave recipes as if love could fit into formulas and (dis)liking was of equal design for each of us. The work of Liliana Velho has the simultaneity of the fragility and the roughness of ceramics, in the perfect metaphor of the unfinished feminine in the oven of the forms in colour.