This work is part of a continuity inaugurated in 2019, with the idea of working on used wrapping papers, which therefore already have a history. This narrative continues and influences the expression of the other materials applied to it. Thus pastel drawing and a more or less uniform layer in charcoal end up forming a territory which seems to extend beyond the format, except on one side where a margin is left blank as an off-screen. In the end, a limit, a cut, a schize comes to outsmart the roles by creating an opening, which extends from the surface to the viewer's eye.