Without any kind of theoretical grounds subjacent to my work, the starting point has always had a radical skeptical view as its main feature, which annihilates values and convictions. It is in the nature of what is double or contains two sides, substances, principles or semantics that I place my artistic and graphic lexicon. The plurality of senses is engraved in my works where no perspective or interpretation exhausts its vitality, whether silent or noisy. I consider art as the relentless search for the ‘perfect form’ which incorporates thought.