The informal game of recognition of forms and the intuitive control in search of order, the relationship between the parties and the whole, are means of resolution of the plane where axes of dynamics, forces, and opposition games determine the dialogue and atmosphere of the pictorial field. The research strategy is staged in three distinct procedural moments. In the first phase, the materials interact autonomously, however they are subject to surveillance in order to achieve a preliminary state. Then, the format is delineated and the composition of the visual field begins until culminating in the definitive ordering of space. It ends with the removal and exploration of the surrounding space of the wall configuring continuity and free reading.