The sanctity of the body is stated in the first chapter of Geneses. The work "Totem/Extra Virgens" seeks this same statement in the theoretical proposals of Freud, in a dialogue between the invisible and the visible, between artistic and religious experience. The artist understands his search for objects or pictures of family memories, as "ornaments" or "relics", so remember on this work his mother and cousins First Communion as an episode of their personal history. The "donkey", in turn, refers to the artist’s self-representation in the art while looking for the elation between the power of the art and the power of rhetoric.