Fátima Santos

The intersection of different artistic expressions in Fátima's personal life becomes inseparable of her creative process. As an artist and a musician she pulls connects music theory to plastic language as the base of her compositions. Musical notes are corresponded to colours,...

The intersection of different artistic expressions in Fátima's personal life becomes inseparable of her creative process. As an artist and a musician she pulls connects music theory to plastic language as the base of her compositions. Musical notes are corresponded to colours, creating a geometric abstraction of elements that are associated with imaginary musical notes. Studying artists as Kandinsky, Malevich, Fernado Lanhas, Sol Lewitt and Donald Judd, is at her studio that Fátima finds inspiration.

“The colors are musical notes and forms are drawn rhythmically in geometric abstraction space".