This work was done with what was available at the atelier. The gestures, which was what more available, indicates in each piece of painting an inscription. This piece is a set of various paintings, they indicate and closing of something we know, but they're not. An alphabet, the rooster game are some of the things we associate, but they fulfill only your function. Things are ink and this is an identity, being ink is that it can be everything and be just ink. The size of the colors plagues eyes because they don't have tact. An empty jar is full of air as well as a full jug is not. This transformation of content happens also in the painting an empty plan already has something, we just moved to your entity, your DNA. Michael Biberstein worked a lot with the DNA of the paintings on a stone hand-picked. In the end the work of Biberstein was an open window, as Alberti said, and a stone with the same colors.