These pieces are designed for a spectator with an attentive eye, attentive to the discoveries and gaps of the landscape (world) because the landscape can be interpreted as matter (form) and in this case can be restored, transformed, or disintegrated. In the paintings of the greenhouses, we see the intention of landscapes that can be eroded and that can be modelled. They are made with materials that have fundamentally marked the way we understand the earth and the painting we see is generated by nature itself, they are living lichens that make, so to speak, the artist’s work. TUSET shows us several pictorial possibilities to face the future of painting without standing still, forcing us to observe art as we look at ourselves, without excuses. They are paintings that play with the tension between opposites (refuge, cage, beauty and repulsion, resistance and fragility).