In the artworks there is a propensity to symmetrically manifest the faces: it is an attempt to graphically simulate the two hemispheres of our brain. I am impressed by the disparity between each of them, by their architecture.
We are accustomed to dividing everything we think, and this is a way of highlighting this phenomenon, using this plasticity in paintings as a resource.
The message of the works is deeply reinforced in diptychs and triptychs, by the confrontation of elements (like a mirror).