A work that is done with a technique created by Richter, of dragging (which has become a trademark tool in his works). The colours we find are a junction of colours that while fresh suffer this dragging, becoming others, such as greens, oranges and browns. On the other hand, there are lines and stains given by brush with a continuous movement. Where we see that there is a gesturality that is given by the hand - by the act of painting with a brush. Starting on one side and moving across the canvas taking the brush, without stopping, to make a path. There is no such thing as a "cross brush stroke". This gesture is well established in this painting.