HOPE is a project consisting of a set of 2 stereoscopic photographs, in anaglyph (to be cyan red filter glasses), taken during the second national confinement.
The images represent two transitory states - Anguish and Delight. The less good moment, the dimness of the forms reflects a desolate state, which transitions into a more serenity and encouragement, symbolised by the luminosity of the white of the vase petals.