Painting and engraving on wood support, in a simplified method of figuration, in an expression of informal art. The idea is to communicate a personal theory in the mode of secret revelation, about the relation of the 1591 work, Romeo and Juliet by William Shakespeare, of 5 acts and 3 scenes, with the 53 sutras of Sidharta, namely the 53rd, Sammasati, uttered by Gautama Buddha, and the Majjhima Nikaya 144, the II set of middle discourses of the Sutra Pitaca, a collection of Buddhist scriptures. The Human Face, of simplified interpretation, engraved, on wood, invokes the present Dalai Lama. The excerpt from the last speech of Romeo and Juliet is incited to a nexus by relating directly to you, as provocation, sarcasm, irony, challenging the viewer to decode an enigma, inviting them to search through symbolic entanglement to a conclusion or personal rhetorical interrogation about existentialism in the correlation associated with MN 144 and Sammasati in a deeply Buddhist logos.