Through a process of synthesis disciplined by rigorous chromatic choice and volumetric presence, it clarifies itself in a new space of sculptural dimension. This programmed choice that aims to belong to the intermediate space, between two-dimensionality and three-dimensionality, leads to the territory of the object through the construction that is contained therein. The image is an open game.
The structures are convinced and determined through a repetitive and vital process. Through the incisions of the silent structure paper, the evocation of the orthogonality present in this constant landscape dimension becomes evident.
As a result, a new autonomous and immediate surface, landscape, is born.