The reduction of pictorial elements to the level of immediate perceptual facts was a real necessity in the critical process of modern painting, and that is connected with the problem of the representation of nature to the evolution of this art into a new, independent language, without allusion to the appearance of the world. I propose a new way forward, to carry ahead the criticism of visual language and to raise a new proposal: the form cease to play the role of figure, to become form-object. The game figure-background is no longer illustrated, it occurs through physical perceptions, rather than merely visual. The form is objective and the representation of the form is found at the same time as the form itself.