Satire on the famous painting "The Crying Boy", present in almost all family homes from previous generations.

I have a passion for the universe of illustration with vibrant collages. This type of register is very raw and spontaneous, allowing unlimited possibilities of experimentation concerning the deconstruction and (re)construction of the image. The fragments are "cut out" and de-contextualised and, when placed in another context, are transfigured. And it is in this game that lies the beauty of the technique. The name was given to the project "The F Chain - Fragment, Figure & Frame" is based on this principle. The fragments from different contexts join with other fragments in the game of experimentations, forming figures that together create the story and the final frame. There is a great influence of "Pop Art" and "Vintage" graphics.