"Espelho/ Redoma" confronts us with the way that women are still treated by society today. Treatments sometimes disguised as protection that overlaps the essential, freedom to simply be. The example here is the woman, but it is transversal to the way we treat the other.
A piece that falls within the field of sculpture and painting.
A construction made from old furniture wood that I collect in my daily life and that I then use as a painting support.
Large-scale work.