The set of paintings, mixed media on canvas, that Ricardo de Campos (b.1977) exhibits at zet gallery is the result of the social expression of his work over the last years, which has in the woman and her challenges its essence. Side by side, the sexual being and the domestic being provoke the viewer. There is desire and there is work; there is pleasure and there is a task. In the neo-expressionist and experimental vigour that characterises his work, Ricardo de Campos is also an aggregator of remnants of the textile and an uncomplicated provocateur. There are slogans and there are drawing that assume themselves, in increasingly depurated proposals and without fear of error. The narrative is interrupted by the sacralisation of the fall or loss of the totalitarian power of yesteryear, a highly topical issue as the country prepares for the musealisation of the legacy of the man behind the time of fear.