Excerpts from a marginal story daily//David Rosado and the universe of the painting of David Rosado is inhabited mostly by figures from the film industry but not only, other figures are animation and or animals are also called in his works. These elements appear systematically, the pair of small incisions of landscapes or clouds, on their screens, being difficult to dissect each or as a means of identification, they comprise a complex mosaic of composition and inherently a plot of his own. The small geometric patterns as well as annotations or subliminal messages reinforce this idea and contribute to a globally accurate.omo se procurasse dar-nos conta de múltiplas realidades a acontecer. Don't you think, that despite the formal coherence of the trainset the your meaning if offers promptly the Viewer. The artist wishes to evade the first impressions, whether in the intense development of the funds, which have a remarkable expression, is the seemingly random combinations of figures. In fact at first glance the figures have no relationship, but in a more attentive reading emerge small and subtle connections that constitute an intricate conceptual map. To illustrate this reasoning see the way they present the characters in comical positions, in situations of commotion, ecstatic or apathetic, stirred by the sudden appearance of figures, animals or animated graphics: everything flows like a playful game intended as structure alive and able to pivot; as in the murals that sometimes you see in certain places of the city, where the multiple overlapping graffiti and representations seem to gain a renewed update every day or week; We feel also a similar sensation as we do a traveling through the various paintings by David Rosado, realizing that relations are not restricted to the area of the frame. Is this threshold is the ability of the artist to get away from telling a story capital, choosing to view things through multiple concurrent times