In "Mira no Infinito" we have 3 plans: the surrounding context, the interior and the infinite. We will be able to find a scenic space that is essential to peek/aim to enter another space that multiplies infinitely. This act of looking at eyes that look at us, tilting the body towards a viewfinder...
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In "Mira no Infinito" we have 3 plans: the surrounding context, the interior and the infinite. We will be able to find a scenic space that is essential to peek/aim to enter another space that multiplies infinitely. This act of looking at eyes that look at us, tilting the body towards a viewfinder sphere, creates vertigo. Its strength lies in the invitation to transport others to our area of fragility. The user participates by "peeking", being invited to move in the space to see another space. The image is not given, not only by the concealed intention but also by the subtle clues. The unraveling leads to examination. In this gesture of discovering, of peeking, there is a demand and an expectation in the discovery. The exercise of seeing beyond appearances, beyond openings, through the challenge that is posed, offers a moment of silent, private and solitary experimentation. The intimacy of the gaze is felt when each one sees and experiences in his time.
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