Plastic intervention on an album, in which I collected some vegetation from the beach house and inserted it into small, transparent, hermetically sealed windows. In this book the intention was to keep the living matter that was part of my existence at a certain moment and preserve it in an artistic object for a future time. This book is therefore part of a vision of Duchamp's conceptual art, in which the object of daily life is decontextualized and becomes an object of art. The works no longer represent, but present. Besides the plasticity that the book presents, the book here represents a testimony of an existence, posing some questions as the notion of time, existence on planet earth, the complexity of nature, among others.