Regarding Paulo Moreira, the allusion to the street and the city is evident in his compositions and his selection of elements. Nevertheless, the collection of works that joins NEW BABYLONS is now purified, with a larger presence of whites and simple drawing cutouts, maintaining slogans and collage as a method. We could evoke that the purification is a form of yearning for tranquility or even an appeal to the occupation of the margins and peripheries, spreading to new centers and new paradises. What is essential in Paulo Moreira’s art is the redefinition of (urban) space, of the support, and the contrast between a certain geometry and the abundance of concepts. Not unusually, the artist takes chances in creative processes that explore video, photography and performance which serve as a foundation to the understanding and investigation of his own reflections and plastic explosions.