Based on the face as an expression of human sense in Lévinas, the expressiveness of the face centers based on pictorial object, in conjunction of the character/object, the spectator and the I as Center, soul sign coupled between the bases and existential boundaries. "It's like a and several mirro...
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Based on the face as an expression of human sense in Lévinas, the expressiveness of the face centers based on pictorial object, in conjunction of the character/object, the spectator and the I as Center, soul sign coupled between the bases and existential boundaries. "It's like a and several mirrors, reflections, where everything fits together". The reflection of the subject of composition in contrast to the socio-cultural, aesthetic perception, at the beautiful as existential reflection factor, combines and contrasts with the mirror and reflection of noise (in the eye of the beholder, says), centering the I as creator, mirrors and mirror reflection of reflexes. Quoting Dostoyevsky: "we are all guilty of everything and everyone to everyone, and I more than the others." I will always be responsible, in that dictates the work, the results of the artistic object, a figment of my Aesthetic perception. It's reflexes, as image of mirrors that my works are the result, taking these as a result of my training social and existential cultural. I am the result of what surrounds me and around me and expressed, where the soul of my creation is the end result of myself on delimitation of the I.