Manuela Pimentel, has the traditional Portuguese tile as a reference, which she recreates over stands in works of accumulation of paper and matter. The collection comes from the territory and contexts, it contraposes a guerrilla war method with an apologia of a comeback to look at the roots and iconographies, recovering identities and classical significance. Manuela Pimentel (re)links stories and signals, combines crossroads and breaks down preconceptions. Manuela Pimentel reinvents our relationship with the tile as a mark of historical moments that cross the imagery of our cities, giving it back to us while simultaneously taking it away as we are challenged to contemplate it.