Helena Mendes Pereira in conversation with João Penalva Part I HMP: Does contemporary art production fit into the generational processes that Art History has always experienced or is it ‘trans- historical’ (if one may say so), that is, upheld by unrelated authorial processes? JP: Contemporary art production is more varied than at any other… Continue reading
Helena Mendes Pereira in conversation with João Penalva
On an enumeration of goods for sale by João Penalva
On an enumeration of goods for sale by João Penalva Emilio Lledó tells us that “in the beginning was the word”[1] and from the beginning, the philosophers understood that the way to knowledge was to take charge of words. Most of Plato’s Dialogues consist of discussions around words, concepts that we use without thinking about… Continue reading
A OUTRA MÁQUINA DE FAZER ESPANHÓIS (the other machine for making spaniards)
A OUTRA MÁQUINA DE FAZER ESPANHÓIS (the other machine for making spaniards) solo exhibition of Juan Domingues (VE, 1981) from the novel by Valter Hugo Mãe (AO, 1971) January 29 to April 16, 2022, zet gallery, Braga The first photograph that Juan Domingues (VE, 1981) sent me of works that are part of the… Continue reading
ANA MONTEIRO: Layers of the Self
ANA MONTEIRO: Layers of the Self The figurative style and the self-portrait are two of the great particularities that characterise the work of Ana Monteiro (PT, 1990), who justifies the use of these properties due to the ease of the emotional connection with her works, appealing to the capacity of communication, understanding and transformation. Through… Continue reading
A Mar (The Sea) by André Rangel
A COUPLE OF STRUCTURING AND LIQUID THINGS A Mar (The Sea) by André Rangel Hav, Kai, More, Meer, Mer, Sea, Deniz, Mare, Mope, Morze, Zee, Meri, Farraige, Tenger, Jūra, Mier, Maro, Meri, Morie, Moře, Dagat, Môr, Laut, Deti, Sami, Mare, Segara, Teku. Sea, the prima mater. Sea is a masculine word in Portuguese, but in… Continue reading