"In art, and in painting as in music, it's not a matter of reproducing or inventing forms, but of capturing forces. For this reason no art is figurative. The famous formula of Paul Klee-"Don't paint the visible, but make visible"-there's no other way. " Deleuze, logic of Feeling "how to capture the forces that shape us? How to capture an image the feeling that they impose, deforming more than in turning. This is not a matter of representing their effects, in the multiplicity of elements that for them if compose and decompose, but return the seizure that in snatches when we discovered immersed in matter of fact, unable to discern the internal and external to us, what in us commands and is controlled. It stands so a feeling intense: the moment in which we are immersed in a melee with the universe. The entire forces of the cosmos around us. Ourselves as part of the natural forces. The fine line between the deep darkness and the radiant light of the sky, between harmony and terror. As perpetuating the calm who flows in secure balance on the airwaves or so suddenly that craving greedy little thing who emerges as who is born and breathe for the first time? We intend to propose here a metaphor about life, something abstract, mediating so sublime our access to an aesthetic idea which both overwhelms us as we expand beyond affordable. Can be a carnal experience, immediately, where a sea true if makes House, universe, city and cosmos. The perpetual variance between chaos and the trace of a fragile territory. Can be the possible image of brief seconds of immersion that reveal millenniums of expansion of life among the forces that crush as the rise and who learned to make a half available for their purposes. Can be even more performing who undertook at own pace of matter and now engages in go a while, where a second takes hours to register, where eternity if moth in a movement. When implemented, these pictures appear as the affirmation of a mature mastery achieved on aesthetic composition. This isn't confused for a second with the technical expertise that cannot fail to involve. Is a know deep about the materials, Yes, but less on their physical properties, perennials on your materialization, and more about how can they incorporate vivid sensations, timeless in your configuration. A memory that does not fit in any individual body, no soul guys. A pure future-where fluid is no longer possible to recognize boundaries between the work and the author, between will and chance. Among the necessary permanence of forces and the ever elusive foam of days. " Rui Mascarenhas Miramar 2015