The set of paintings and mixed techniques on canvas, that Ricardo de Campos (born in 1977) exhibits in zet gallery are the result of his work’s social expression over the last years that hold its essence in the woman and her challenges. Side by side, the sexual and the domestic being tease the viewer. There is both desire and work; pleasure and labor. In the neoexpressionist and experimental vigor that characterizes his work, Ricardo de Campos is also an aggregator of textile remnants and an uncomplicated inciter. There are slogans and assumed designs in increasingly refined proposals without fear of error. The narrative is interrupted by the sacralization of the fall or loss of the once totalitarian power, a theme of deep relevance when the country prepares for the musealization of man's legacy behind the time of fear.