Painting developed around an imaginary portrait, which combines the physicality of someone who does not see himself with the psychological state of the painter. The work was prepared at once with no place for corrections or alterations. The creative instinct is taken to the extreme and there is no kind of outline or prior study, almost like the act of speaking without thinking. The Intention is to perceive the flaws, errors or imperfections of an instinctive and fluid trait, where there is no space or time for corrections.