In a transversal plane to the presented series, framed in a determined space-time, its patterns are presented as its mark in the public space, which pursue the continuity of the experimentation-poetry binomial and which trace its geography. Volker Schnüttgen is a travelling sculptor and has an ancestral nature. His work moves from an invitation, in the initial figuration, close to the rupestrian Venus (from Willendorf or not) to what approaches the semiotic form of dolmens megalithism. From prehistory, where some authors claim to be the principle of Art, our artist reflects a systemic frame of reference. He is interested
2
DELEUZE, Gilles - Espinoza e os Signos. Porto: RÉS Editora, 1970. Page 61.2
19
in the original form and material. He is interested in genesis, the principle that goes to the quarry to steal postmodern poetic interpretation.