The evolution we have witnessed in Luís Canário Rocha’s latest work also shows us his adoption of one of the artistic post-modern tendencies: the desacralisation of props, turning to reusable ones. In this case, one must highlight his works on wood from the series cities. These imagined cities take us to known sets of real or virtual trips but, undoubtedly, they involve us in our current cosmopolitan and dense atmosphere. His work evolves from the vision of cities to the assimilation of details, it surprises us with the clothes-line, a funny scene from the historical centres’ daily life, which are part of their DNA.