“Entre paredes” (Between walls) convey the narrative, not of the ancestral motives but of the appropriation of traditional standard tiles of facades that are in close articulation with the female body presented inside the dwelling. Taking with relevance his georeferencing as a form of identity for the work itself, the architectural presence of this outer skin allows us to enter and look at the spatiality of an imaginary or real place. Thus, this mesh creates a translucent space making us voyeurs and giving permission to observe what is beyond. The seemingly empty architectural environment between parallel, half-open walls reveals protective corners of the intimate feminine quotidian; an almost solitude, an inner dialogue. In this way, “Entre paredes” (Between walls) is represented between the figure and the pattern, with autonomy for both, in common territory.