This work is the illustration and confabulation of a small real episode, a story that has no interest in itself but only as a starting point for the author’s version, and then for the observer’s version. Here, as a background, is the story of Pinocchio the little wooden boy who wanted to be a real boy, metaphorically associated with subject prisoners in his own body and disabilities. In the story of Pinocchio, there is a happy ending: the wooden puppet manages to free himself from his condition of being inanimate and comes to life and spirituality