Em Maquete #4, the painting leave off the skin and asks to architecture borrow grammars, although it never leaves is pictorial identity. It the painting itself that presents the irony of projecting, in small scale, something impossible to build as habitable and funcional architecture, eventually ...
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Em Maquete #4, the painting leave off the skin and asks to architecture borrow grammars, although it never leaves is pictorial identity. It the painting itself that presents the irony of projecting, in small scale, something impossible to build as habitable and funcional architecture, eventually show is own formal an aesthetic proposes. Still, you can trigger the desire to place ourselves in an alternative experiential context provided by these buildings involved in utopia and estrangement. In the context of my painting work, these models appear as effective expansion exercises constructions and representations present in the two-dimensional plane of the painting, with a more evident materiality, spatiality and cross with their own issues of architecture.
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