"The space of the painting is, first of all, a space of appearance and manifestation, and not a space of representation.
It is through gesture, in the experimentation of doing, that I seek to unveil the form that tends to appear or disappear.
I try to capture the tendency of matter, to perceive its orientation, to direct it if necessary and to register the successive variations to extract from them nexuses that lead to new orientations and new registers.
It is necessary to direct, to let matter/form be.
Unveiling the work of the formation of the form.
It makes no sense to speak of figuration/abstraction because the movement of matter that becomes form is followed.
Whether this process results in a more or less referential form is irrelevant.
Letting be so that some world becomes visible".