Teresa Gil explores the transmutations of the different phases of life, establishing an analogy between human existence and the botanical world. It creates interrelationships between different beings, in an analysis of moments that balance our abstract world and the beauty of plant forms.
It is this binomial between "abstraction and empathy", which supports this analysis of a metamorphosis that tries to establish a morphogenic observation of apparently antagonistic values.
In a process in which she observes and photographically records the various stages of plant development, captures and represents them, in a chromatic contrast that reinforces the delicacy of the forms.