Painting developed with acrylic and oils paints on cardboard. Layer after layer, the shapes and volumes of facial expression are emerging. Wanting to respond to a need to mirror the identity of the painted character in contrast to his blank stare and away from his physique, leads to a kind of identity ambiguity, putting what is painted on the level of communicative falsehood. This means that what we see painted is all that is not part of the imagined human figure. It is apparently painted the futile without hiding the essence of the figure.