The painting “Maria” is part of a set of works that continued personal research on the photographic index, digital image, and noise in painting.
Its process basically consists of three stages. First the photographic capture of the moving model. Then the selection of images that have some kind of noise and abstraction. Finally, the painting of the chosen image.
Some influences are in the works of Gerhard Richter, Andy Denzler and Jens Hesse, as in the texts on photography by Roland Barthes, Philippe Dubois and in Donna Haraway's post-humanism.