beginning of this research work began with the "tension" caused by various sculptural objects. However, we realized that the idea that stress was the deformation of certain materials was a mistake, as stress is only the force / gravity found at the points where the affected object is safe. After all, what we really wanted to study was the plasticity of the materials and their deformability. They were, fundamentally, the deformative capacities of these objects in relation to the surrounding space that we wanted to understand. The abstraction of certain concepts such as color, line, volume / mass, has acquired an equally important interest in this research. In all these concepts and studies, we have developed a work of experimental scope, with several works capable of placing the viewer in an entirely sculptural space, which challenges the interpreter to interpret not only the sculptures, but also the architectural space in which they find themselves.