More than a painting, it is a doing as a thought, evoking memories and feelings of an experience. This painting is a means of transmitting what can only be said through it, it is not intended to be merely decorative object. Influence of Franz Auerbach, one of the greatest representatives of the London school (Bacon, Freud the Kossof), belonging to the strain of the "painters-painters". It is an intense obstinacy in the practice of painting, which is increasingly used in contemporary art, where matter and touch become the main objective. The theme usually consists of the human figure inserted in the landscape, in an almost abstract way. What is important is the stubborn way of stuffing matter and getting it
  of a strange relief, which refers to an earthly painting, made of matter of the world. Painting as testimony of this world and of this existence.