Taha Afshar’s (1983 – ) work captures the delicate tension between the objective and the subjective, the particular and the universal, the momentary and the timeless. For Afshar, the process of painting seemingly operates as a form of meditation, where meaning is generated thr...
Lee mas
Taha Afshar’s (1983 – ) work captures the delicate tension between the objective and the subjective, the particular and the universal, the momentary and the timeless. For Afshar, the process of painting seemingly operates as a form of meditation, where meaning is generated through the durational practice of working itself. Finished images thus reflect the thickness of human experience and sense perception, building layers of meaning into a single unique scene.
Recent landscape paintings have drawn inspiration from Nordic landscapes, where he visits to paint. In a 2015 interview, Afshar makes reference to the acutely self-reflective nature of his work, citing a certain proximity to surrealist techniques of automatic writing. Layers of lived experience are literally woven into one another here: the harmony of landscapes scenes occasionally interrupted by handwritten text.
He currently works from his studio in Hampshire, England.
